Posts Tagged ‘ABC’

Is your favorite show on the chopping block

In Griot, News on May 14, 2012 at 12:29 pm

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I don’t know what favorite series shows you’re into,
but a few are in trouble – so says ol’ YAHOO:

airly safe shows like singing competitions and sitcoms were the biggest hits. Fantasy series – like ABC’s “Once Upon a Time” and NBC’s “Grimm” – fared surprisingly well. But shows set in the past – from the 1960s to the Mesozoic era – didn’t succeed. Neither did high-concept science fiction like Fox’s “Alcatraz” or NBC’s “Awake.” They were canceled last week, joining “Terra Nova” and “The Playboy Club.”

The networks’ most successful gambles this season were with existing shows, not new ones. CBS successfully revamped “Two and a Half Men” with Ashton Kutcher in place of Charlie Sheen. NBC ran “The Voice” in midseason against a CBS Monday night lineup, anchored by “Men,” that had looked bulletproof in the fall. “The Voice” ended up briefly surpassing Fox’s “American Idol” as the top-rated non-NFL programming on television, though “Idol” eventually retook the lead.

For the sake of full disclosure, an aside: We like risky shows. They keep TV fresh and interesting, and without some rolls of the dice, we would never have gotten “Seinfeld,” “Modern Family” or “Lost.” But for every risk that pays off, there are many more that make average viewers shake their heads and wonder what those network executives were thinking.

This was a season that seemed to depressingly reinforce stereotypes about the TV landscape: Networks remain the main home for mass-market reality shows, broad comedies and procedurals, while cable is the domain of novelistic period shows like “Mad Men” and “Boardwalk Empire” and hit genre series like “Game of Thrones” and “Walking Dead.”

Whatever is happening doesn’t seem to be good for TV: Overall, according to Nielsen, viewing was down 0.5 percent, or about 46 minutes per viewer per month in the fourth quarter of 2011 that included the start of the season. The decline came after years of consistent year-over-year growth.

Every show is a huge potential risk
, and getting one on the air requires beating the odds again and again. But some shows are bigger gambles than others because of their setting, subject matter, complexity or flat-out weirdness. The flip side? Dark, complex, jarring shows are often the best ones, from “Lost” to “Breaking Bad.”

Networks have already taken some gambles for the upcoming season — but none that seem as risky as the ones from this one.

NBC’s midseason “Hannibal,” about the cannibalistic “Silence of the Lambs” villain, would sound insane if not for the success of the Hannibal Lecter film franchise.

NBC’sThe New Normal,” from “Glee” veterans Ryan Murphy and Allison Adler, features an extended family consisting of a gay couple and the surrogate mother of their child. That might be more challenging to traditional notions of family if not for the fact that “Modern Family,” which is tied for the top-rated sitcom on TV, hadn’t featured a gay couple with an adopted daughter for the last three seasons. NBC winkingly says the show features a “post-modern family.”

One of the most ambitious shows of the upcoming season is NBC’s “Revolution,” produced by “Lost” co-creator J.J. Abrams, which imagines a world in which all power suddenly disappears. Past “Lost”-influenced network shows in which a bizarre occurrence suddenly changes the world – from ABC’s “Flash Forward” to NBC’s “The Event” – haven’t fared well. But NBC is giving the show a plum timeslot after “The Voice,” its biggest hit.

Fox’s upcoming series — including “The Following,” a serial-killer drama led by Kevin Bacon, and a comedy starring “Office” vet Mindy Kaling, sound fairly straightforward — especially compared to last season’s Fox slate.

CBS is rolling the dice with another ’60s set show, “Vegas,” about a rodeo cowboy-turned-sheriff. Star power should help the show’s odds: It stars Dennis Quaid in the lead, and it also features Michael Chiklis, Carrie-Anne Moss, and “Terra Nova” vet Jason O’Mara. CBS’s “Elementary,” a Sherlock Holmes update set in modern-day New York, finds Jonny Lee Miller saying the magic word to a female Watson played by Lucy Liu.

ABC’s edgier offerings, meanwhile, include “666 Park Avenue,” about a young couple managing a historic apartment building that is home to dangerous supernatural happenings, and “Last Resort,” about a nuclear submarine crew that goes rogue after getting a sketchy order to deploy their weapons.

Here’s a look at some of the current season’s swing-and-a-misses, God rest their souls, and what lessons can be learned from them:

Terra Nova

The story of a family catapulted from the near future to the distance past died from a thousand cuts, administered by too many cooks. Too mixed metaphorical? Okay: It had a dozen executive producers, to go along with a massive budget, and tried to hedge by offering something for everyone. There was sci-fi. Family drama. Teenage romance. Action. A dystopian future. But in trying to please everyone – you know how this one goes, right? – it ended up pleasing very few. Fox canceled it amid low ratings. Still, good for Fox for giving it a shot. It’s impressive whenever a top-rated network strays from what’s safe, and this was the season’s biggest gamble by far.

The Playboy Club

Some people will take it as a good sign that the fastest-canceled show of the season was also the one with the most T&A. “The Playboy Club” was beautiful to visit, and not just because of its cast. The set design was lovely, the music was hot. The idea to include musical numbers in every episode was a lot of fun, like when country stars used to drop in at the Boar’s Nest on the Dukes of Hazzard. But “The Playboy Club,” like “Terra Nova,” didn’t seem to have a soul. Like “Terra Nova,” it was all over the place with subplots, none of them very original. You’ll keep watching a good-looking but dumb show, the way you’ll keep dating a dim bulb because of their physical attributes. But if they don’t have a soul, you can’t keep time with a person or a show.

ABC’s “Pan Am,” had lots of similarities with “The Playboy Club”: Good looks, a swinging ’60 setting, and, unfortunately, storylines that didn’t really grab you by the throat. It was canceled last week.


This one didn’t look like much of a gamble at all, at least to “Lost” fans: It starred endearing Lostie Jorge Garcia, was produced by Abrams and other “Lost” veterans, and was co-created by “Lost” writer Elizabeth Sarnoff. It was set partly on an island, for gosh sakes.

But since the rather open-ended conclusion of “Lost,” viewers have been awfully careful about mythology-filled shows that may or may not go anywhere. “Alcatraz” had one big central mystery – how did the former prisoners disappear in 1963, and why do they keep reappearing in modern times? “Alcatraz” hedged its bets, doling out clues as it kept viewers occupied from episode to episode with an escaped criminal of the week. The half-and-half approach didn’t engage enough of them.


The NBC drama was your humble correspondent’s favorite network show of the year. But it took some of the same have-it-both-ways approach as “Alcatraz.” The LAPD detective lead character was split between two realities – one in which his wife is alive and his son is dead, and another where the reverse his true. He also solved crimes in both worlds. The idea was that viewers would be entertained by the procedural within each episode, even as all the crimes – which may or may not be in the lead characters dreams – brought him closer to deciding which reality was real. If either one was real. Yes, it’s complicated. And attention spans are short. We really don’t know what “Awake” could have done differently. Its setup either fascinated or repelled viewers, and seems mostly to have repelled them. We’d like to wake up in a world where a show as strange as it “Awake” could survive on a major network.

Some of the forementioned shows are on fire and some of them lack,
I’m Qui
50/50 on the call, even though my “MISSING” isn’t coming back.

Sure some shows are destined to give-in to the grim reaper,
however I’m ecstatic that ABC’s SCANDAL is a keeper!

Good to Go Network Shows

In Communication, Griot, News, TV Shows on February 28, 2012 at 8:01 pm

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Tomorrow the good show line up airs on ABC.
Check it out if you’re into vibing comedy:

First up to bat on Wednesday night
is SUBURGATORY and Cheryl Hines.

It’s about “A teenage girl who moves from the city to the suburbs.”
And everything sense worthy is thrown to the curb.
Her dad is single and his best friend is a DDS.
Cheryl plays “the flirtations neighbor in pursuit of man” best.

It’s family comedy in the prime of eve.
They live in the suburs… something like me.

The next show on the line up has big fam appeal
It’s MODERN FAMILY starring Ed O’Neill.
Please tell me you watch this – for it is a hoot.
Their family thing is a circus ring and the kids are really cute.

And if their multi scenario isn’t the show that moves ya,
Tune in to HAPPY ENDINGS starring Damon Wayans Jr.
Little Damon is all grown up – past his Major Payne debute.
He’s seriously funny like his dad & he’s also cute too.

Last on the line is quite the throw —
It’s ABC’s REVENGE served by Madeline Stowe.
Madeline is sexy and used to be so sweet.
Madeline is a b*tch in the Revenge series.
Check her out WEDNESDAY NIGHTS to see what I mean.

It’s always a pleasure for me to reach out and see
how many people are tube watching — like me.

Ooo Wee – I’m Qui
Watching primetime tv.

What are you watching on Hump Day?
Suburgatory @ 8:30 / 7:30pm C
Modern Family @ 8pm
Happy Endigns @ 8:30
Revenge @ 9pm
on ABC

Primetime TV Shows that Blow!

In Griot, Movies, TV Shows on April 29, 2010 at 1:38 pm

Blow as in ROCK! Blow as in are relative to “grown folks striving to be successful in a famililal life”. TrueMODERN FAMILY does lack the darker pigmentation fact, but the scripted instances and obstacles that lie in the middle of their familial roads – preventing “smooth sailing” is catchy. The writing reflectively ROCKS.

Modern Family comes on ABC and has Ed O’Neill, (formerly AL BUNDY from “Married with Children”) as JAY – the straight laced patriarch of this family is in his second marriage to a (spicy latin) woman several years his junior played by Sofia Vergara. Sofia (GLORIA) also played a flight attendant on the hood elevated film “SOUL PLANE“. Remember the purple flight attendant (hoochie) dresses? She rocked it! However in Modern family, she’s a Columbian who met and married a successful white collar entreprenuer & moved to the US to marry him, with her middle school age columbian son, played by Rico Rodriguez. Rico (MANNY) plays a middle school aged renaissance man. He’s a charming heart stealer.

Jay (Ed’s character), already has grown children from his previous marriage, so Manny is the only child at home, being raised by a latin spicy Mother and an older Al Bundy. 🙂 The familial influences they bestow upon the child is crazy. Jay’s two biological (grown children), don’t live in the home with him, but they do live in the same city and visit often. His 30-something blonde daughter CLAIRE is played by Julie Bowen and is married to a Mediterranean/Italian/Greek character named PHIL (played by actor Ty Burrell). They have 3 children between them, two girls and a boy. There’s the tan older (high school) daughter named HAYLEY (played by Sarah Hyland) whose role is lightly reminiscent of Marlerie from Family Ties, their witty high IQ’d (middle school) daughter ALEX (played by Ariel Winter), and their innocent comical red headed (elementary aged) son LUKE (played by Nolan Gould).

Jay’s (grown) son is a red headed successful lawyer and emotional puff named Mitchell (played by Jesse Tyler Ferguson) who is married to a fabulously flamboyant man named CAMERON, (played by Eric Stonestreet). Cameron is a stay at home dad who loves every minute of raising their Asian (adopted toddler) daughter, Lilly.

So in short, we’ve got a show about a straight laced older white guy
whose married to a Columbian woman that’s full of sexy latin spice.

She arrived with her son from a previous marriage (her ex is played by Benjamin Bratt)
Which explains why lil’ MANNY is so “Renaissanced” like that.

Jay is successful by all accounts & on the “hetero” straight and narrow,
but his (red headed) son, Mitchell’s etux is cupid – complete with wings and an arrow.

He’s married a “cherub fellow” named Cameron; the fabulous mock stay-at-home lady,
Who loves being a full time flaming dad to their Asian toddler baby.

Claire is Jays oldest child whose blonde and pioneers (her own family) at will;
She’s married to (the ditsy comic relief & often misunderstood) Phil.

Their three kids are awesome. They’re relative characters of Primetime TV–
The oldest child is a beautiful ditz and reminds me of Family Ties’ Malerie.

Their middle child, (Ariel) is definitely the smartest of the bunch
and lil’ Luke doesn’t have a clue — though Ariel’s sarcasim should be a hunch.

Jay and his wife Gloria are the perfect “older guy/hot younger woman” two-some;
and adding Benjamin Bratt to the schtik mix makes for a menage of talented eye candy fun.

Imagine a straight dad, who hardly notices his (only) son is gay
But by no means is he disrespectful to the fact of, in any way.

Imagine Phil (Claires spouse) being enamored by his young hot mother-in-laws latin accent
And how indistinguishable her word pronounciation is…misunderstandings that can side split.

Imagine the stay-at-home Mom like Dad being a big fluffy bear,
And how meticulous he is to lace each moment with feminine care;

Not wanting to work out side of the home – for “distance” seems to be too long of a verb –
When you’re hoping to influence your (not yet talking) daughter & her soon to come first words.

Disfunction, dysfunction — yet relativity is all in between,
I’m Qui
Hillariously Blown by the writers wit – scene for scene.
So…Are you watching?

MODERN FAMILY comes on Wednesday Nights on ABC @ 8/7c