Its KEY

Posts Tagged ‘Deon Taylor’

THE INTRUDER

In Communication, Movies, Networking, News, Video on May 6, 2019 at 5:58 am

So Friday night my guy & I had a double date with Scott (Michael Ealy) & Annie, (Megan Good) and it was good.

We enjoyed a reel cookie cutter layout from Roger Corman‘s old hood.

I’m into seeing movies and move-me’s; God bless production movers –
It was good to see new chemistry in the old lab of The INTRUDER.

I’m not really sure about the initial intentions of reviving this piece –
It wasn’t about innovation, resolution or love’s slow release.

It was a pretty decent remake of the same-named film
Dennis Quaid did great as Charlie, following William Shatner’s hem

as a disturbed white man whose pissed at the presence of black neighbors.
In 1962 the film highlighted discourse and sewing divisive vapors.

In this years THE INTRUDER Dennis played a disturbed guy
with only a remnant of racism coursing through his spine.

He was the seller of a big and beautiful countryside home surrounded by lushes of green.
He wanted to sell it and still dwell in it — an attached squatter if you know what I mean.

Among creeping around the new couples home without them knowing,
Charlie was making plans to assume Scott’s life and duly start sewing

“home seeds” with Scott’s beloved Annie;
thinking he and she could start a family.

There was mayhem and while all scenarios clicked,
I was sad to see Scott repeatedly get his butt kicked

so many times from Charlie; but Scott was a desk nerd.
Annie drew strength from a pan and her fist 
revealing survival skills when she s’kerd.

Deon Taylor is the director and producer of this remake
he is listed as the same in Traffik‘s sobering pace.

Remember that?
Paula Patton delivers like ‘Turner & Pat.’

Today’s Intruder film wasn’t hung up on race
but the face of a man with disturbing headspace.

Charlie’s daughter is all that he has in this world to co-sign his life,
but not even she wants anything to do with him because he took her mother’s life.

There were moments in the theater that I jumped out of unexpected fright.
It may be a remake film, but it’s perfect for a little date night.

There were hairy moments where I preferred to cuddle a little tight…
Like when Charlie was peeping-in on Annie in the shower one night.

I’m sure my guy enjoyed the double play:
him watching Megan in the shower and me being okay.

Annie’s body was a total fit slay. I admired the silhouette.
I’m thinking Charlie did too, he seemed to relish in her being wet.

Sex made a couple of debuts atop of the young couples sheets.
My guy and I were watching via Charlie’s secret peep.

It was line crossing  – still, actors Megan and Michael were flossing in this flick.
The legendary Dennis Quaid contorted his craft to display the encroaching counter-dick.

I’m sure the role won’t stick. Dennis is far too likable.
Catch him on the move in his string new of commercials.

Plus, you won’t be expecting the pivotal wording at the films end,
I’m Qui
and I figured I knew much about the script before going in…

I am pleased to concede that I didn’t.
Deon is pretty good at directing, producing and revealing the hidden.

 

Pat & Turn’er have nothing on Paula Patton

In Communication, Griot, Movies, News, Video on December 28, 2018 at 2:22 am

pat-n-turner_gif
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Talk about ‘walking a project through
Paula Patton is one of three Producers of TRAFFIK‘s truths.

Have you seen this relatively new 2018 film release?
I saw it on hump day and it is a beast!

It’s a Suspense/Horror piece based off of an ongoing, true scene.
It stars Paula and Omar Epps regarding a human trafficking ring.

Cali is the place where this story unfolded, resembling a romantic one,
but then certain hell rode in via Harleys & gin and killed all of the fun.

John and Brea were joined by Darrin and Mila for an impromptu date…
You’ve got to see what happened to Paula and the other three as the night grew late.

To add to my horror is the realization that this is happening in the United States.
Deon Taylor, the Writer/Director was inspired by headlines to create this screenplay.

traffik_paula-patton_omar-eppsDeon and his wife Roxanne are the other two producers of Traffik.
The film was budgeted at $4million and made $9Mil. That’s a reel hit!

Yes ma’am and yes sir! That is it!
Education and entertainment via a cinematic vent.

Please do not take my word for it – peep Paula’s Traffik
It’s riddled with edgy moments and eerie plot twists.

The title of this piece starts out introducing Pat & Turner.
If you aren’t familiar with the phrase, the aforementioned parallel will be a burner.

Pat & Turner are also known as your feet: ol’ right and ol’ left.
Paula did magnificent acting and producer-work on this tale.

With the statistics of human trafficking, I was impaled.
More than 60% are African American. We’re still for sale?

What the hell and why? If you’re stunned, then you are just like me.
Though the film laid out quite simply that it’s a million dollar industry.

This film kind of reminds me of GET OUT in the way that I was hanging on the edge – and for so long.
I recommend that you see Traffik with family and friends; its message and view is quite strong.

Pat & Turner are known for taking you from point A to point B
and Paula Patton not only walked this project through but she even acted in the piece.

Allow me to enjoy this sweet release. John Singleton and Ice Cube do it all of the time.
I just love when I get the opportunity to write about women of the same stock who are on their grind.

Women like Oprah and Queen Latifah, like Jada Pinkett-Smith and Vivica Fox.
That’s right! I’m doling out specific mentions because Black Girls Rock!

We can Write/Produce/Direct/Act, Pop & Lock! Now you know,
I’m Qui
Patting Turn’er and hoping you don’t overlook this film as a burner. Traffik is a dual show.

Entertaining + Educational

The most efficient way to go.